Blog Archives
FAITU#31
FRIDAY AFTERNOON IN THE UNIVERSE
(FAITU#31)
1996-10-14 – SHACK PARTY V
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1996-10-14 ticket stub
Source info:
1996-10-14.gefell-m300.4679.t-flac16 [TSP1996#16]
– SET I (tracks 1-7) –
– SET II (tracks 8-15) –
FRIDAY AFTERNOON IN THE UNIVERSE (FAITU#31)
The Shack Project celebrates MMW @25 years!
– SHACK THOUGHTS — SHACK PARTIES I-VII ’96 –
Listen to these gigs. Listen to all of these gigs — it’s the best advice I can give you. These Shack Parties, where the band played for 7 Mondays in a row at the Knitting Factory in NYC, encompass such a wide range of the band’s talents and musical interests that a summation would simply do the music an injustice. Whether you dig a certain track or guest through this run, you have to admit that each guest brings something unique to the mix which in turn causes the band to react and shift, making the music they all create something adventuresome and real for that moment only. There are also plenty of moments where it’s just the trio and you’ll love it. As they explore both groove and open space with/out guests, it is clear this is a band out to make inspired music.
Oren Bloedow’s speech during Set II of the last Shack Party puts it best … so take a listen and Shack-out with these near 20 year-old musical explorations …
1996-10-14 ticket stub
– SHACK PARTY V THOUGHTS –
The official release of Shack-man, this night finds the trio playing through much of the album, out of order and with some further explorations, to play out the first set of this gig — light on actual spontaneous composition improvisation, but full on manipulation of the tunes makes this a HOT set. I mean, the start of ITAHTLMJ has Medeski on *piano* and it sounds SOOOOO cool!
2nd set returns to the Shack Party format, launching off a groovy Good Golly Miss Molly with Dean Bowman wailing it (I dig this one!), the players head out from there, dabbling in some Hendrix references but really just pushing the music into full on improvisations, to wrap up with the Mingus classic, Goodbye Pork Pie Hat … I can’t help but feel I could do with less of Bowman’s vocals through the set, but having the FUZE on guitar along with Logic makes this a minor “complaint” … it’s a very fun playful set …
Head into your Friday Afternoon In The Universe with Medeski’s piano tinkering to start ITAHTMJ, and let the music flow over/through you …
enjoy the grooves,
dug
THE SHACK STREAM
LISTEN/DOWNLOAD ANOTHER SHOW!
FAITU#29
FRIDAY AFTERNOON IN THE UNIVERSE
(FAITU#29)
1996-09-30 – SHACK PARTY III
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MMW mid-90s Promo
Source info:
1996-09-30.schoeps-cmc6.21608.t-flac16 [TSP1996#14]
– SET I (tracks 1-5) –
– SET II (tracks 6-12) –
FRIDAY AFTERNOON IN THE UNIVERSE (FAITU#29)
The Shack Project celebrates MMW @25 years!
– SHACK THOUGHTS — SHACK PARTIES I-VII ’96 –
Listen to these gigs. Listen to all of these gigs — it’s the best advice I can give you. These Shack Parties, where the band played for 7 Mondays in a row at the Knitting Factory in NYC, encompass such a wide range of the band’s talents and musical interests that a summation would simply do the music an injustice. Whether you dig a certain track or guest through this run, you have to admit that each guest brings something unique to the mix which in turn causes the band to react and shift, making the music they all create something adventuresome and real for that moment only. There are also plenty of moments where it’s just the trio and you’ll love it. As they explore both groove and open space with/out guests, it is clear this is a band out to make inspired music.
Oren Bloedow’s speech during Set II of the last Shack Party puts it best … so take a listen and Shack-out with these near 20 year-old musical explorations …
MMW c.1996
– SHACK PARTY III THOUGHTS –
illyB kicks down a beat to get the groove rolling, and the other musicians just start piling on, layering the sound, and a superb groove is born! Over the next 30min the group on stage, MMW + Logic, Bernstein, & Scheps, take us through 4 distinct improvisations before we hit some Open space that winds us down to just the trio with Logic on the Horace Silver tune/jazz standard, Cape Verdean Blues — nothing standard in MMW’s take on the tune though! The horns return after a Bass Solo from Chris, and stick out for another Improv > Organ’n’Trumpet jam that smoothly leads into Wiggly’s Way before the horns exit again. Bernstein is a perfect fit for MMW any time, and in this set he’s a monster on that slide trumpet — just KILLER! The set ends with Jennifer Jackson’s beautiful vocals accompanying the trio on an “Unknown Bassanova”.
And then there’s a 2nd set! It begins on a subdued note with Medeski solo on piano which opens up into a killer improvisation when the guests join in with Logic quite prominent and Oren (must be him on guitar) — I mean, Oren is nailing it here! Great stuff! We get a Drums’n’DJ breakdown at a few points (Weston eventually joins the percussive fray later in the set), some Open explorations, Bass’n’Drums, and incredible groove improvisations — where do all these melodies come from!?! Rufus Cappadocia on cello is an INCREDIBLE addition to this set of musicians and his input on the latter part of the set’s improvisations as well as on the tune Friday Afternoon In The Universe, makes this afternoon’s listen all the more special … the closing number is an Oren Bloedow tune that wraps up the set in a similarly subdued manner as Medeski’s solo started … some sweet sax from Aaron Heik on this number too …
Gotta say I just love how far out the FAITU tune gets in that 2nd set … and this quote makes me chuckle each time I hear Billy utter these words near the start of the show, “New record coming out in a couple of weeks, check it out. We’re *not* playing any of the music from that record tonight …” — HA!
enjoy the grooves,
dug
THE SHACK STREAM
LISTEN/DOWNLOAD ANOTHER SHOW!
FAITU#28
FRIDAY AFTERNOON IN THE UNIVERSE
(FAITU#28)
1996-09-23 – SHACK PARTY II
~ John Coltrane’s Birthday ~
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1996-09-23 ticket stub
Source info:
1996-09-23.gefell-m300.12.t-flac16 [TSP1996#13]
– SET I (tracks 1-12) –
– SET II (tracks 13-19) –
FRIDAY AFTERNOON IN THE UNIVERSE (FAITU#28)
The Shack Project celebrates MMW @25 years!
– SHACK THOUGHTS — SHACK PARTIES I-VII ’96 –
Listen to these gigs. Listen to all of these gigs — it’s the best advice I can give you. These Shack Parties, where the band played for 7 Mondays in a row at the Knitting Factory in NYC, encompass such a wide range of the band’s talents and musical interests that a summation would simply do the music an injustice. Whether you dig a certain track or guest through this run, you have to admit that each guest brings something unique to the mix which in turn causes the band to react and shift, making the music they all create something adventuresome and real for that moment only. There are also plenty of moments where it’s just the trio and you’ll love it. As they explore both groove and open space with/out guests, it is clear this is a band out to make inspired music.
Oren Bloedow’s speech during Set II of the last Shack Party puts it best … so take a listen and Shack-out with these near 20 year-old musical explorations …
1996-09-23 ticket stub
– SHACK PARTY II THOUGHTS – JOHN COLTRANE’S BIRTHDAY
2nd of 7 weekly Shack Party gigs falls on the anniversary of John Coltrane’s birthday, so MMW (being obvious fans) sprinkle much of the evening with Coltrane music — three of the 6 actual songs played are Coltrane tunes (Naima, Syeeda’s Song Flute, & Africa), but songs aren’t really the focus. Coltrane’s music, like their own songs they play (Spy Kiss & ITAHTLMJ) along with one Ellington number (Chinoiserie), sends the band and their welcome guests out into the ether at times. The Africa that opens Set II, for example, is a MONSTER of space and groove with everyone contributing to the whole in true collaborative fashion — cool to hear Africa in here, but too bad the it took over a year for the song to return to MMW’s live shows, and then again too bad that it left again shortly after its return!). Outstanding group work here — this ain’t a case of 4+ guitar players on stage all strumming along together, this a mess of unique instrumentation all finding pockets to fill in the music — you have to hear this! Blume and Ribot offer contrasting styles in the guitar vein, but both have such invention and chemistry with MMW; Hammadi, Scheps and Blake provide sax at various moments, separately and together at times, with unique voices honouring Coltrane on this night. I could keep blabbing, but … just listen.
A nice treat at the end finds Sherri Jackson delivering some vocals on the MMW classic, their take on the old Spiritual, Is There Anybody Here That Love My Jesus … I’m still singing it now …
enjoy the grooves,
dug
THE SHACK STREAM
LISTEN/DOWNLOAD ANOTHER SHOW!
FAITU#24+#25
FRIDAY AFTERNOON IN THE UNIVERSE
(FAITU#24 & #25)
2000-07-05
2001-06-29
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~ 2000-07-05 ~
MMW c.2002/03
Source info:
2000-07-05.sony-lapel.5588.t-flac16
– SET 1 (tracks 1-9) –
– SET 2 (tracks 10-20) –
– SHACK THOUGHTS — The Shack Project celebrates MMW @25 years!
FRIDAY AFTERNOON IN THE UNIVERSE (FAITU#24)
It’s been a busy couple of weeks, being on the road out of town for the Fridays, so I’m making it up a bit this week, sharing shows #24 & #25 for FAITU’s 25th week, the theme of which will extend over several weeks throughout the summer.
Festival Int’l de Jazz de Montréal.
MMW in Montreal, for this Canadian fan was a sweet deal. Unfortunately, I was unable to make it the first few times, but did catch a couple of the Montreal “events”. Each time MMW played Montreal it was a little special, at least to my ears. Always more than you might find from the trio at other festivals – not to say other festivals haven’t featured some killer MMW, which often depends on time slots, but Montreal seemed to always offer a good slot which afforded the band the chance to really put on an “MMW show”, rather than a more typical festival set.
This week we’ll dig into the first Montreal Fest gig from 2000, and the following year’s return in 2001.
MMW c.2002/03
** Wednesday, July 05, 2000 **
Medeski Martin & Wood w/ Marc Ribot, George Garzone, Mino Cinelu & DJ Logic
– SET I –
We Are Rolling has to be one of the BEST opening tunes. Ever. Killer version that stretches out there a bit into that wacked reggae mid-section before wrapping around and drifting into the Latin love of Brigas Nunca Mais. Macha starts a run that leads the trio through to the end of the set, first finding comfort in twisting out ITAHTLMJ before the Latin beat pushes forth again with Latin Shuffle, featuring solos from illyB and Chris before an Open Improv leads to the set closer Swamp Road, which is a super groovy way to close the set, surprisingly played without Logic on stage, who comes out next set. Love when MMW give you a full trio set before settling in with some guests for an evening, and this hour of music – before the 2hr 2nd set – is more than satisfying on its own. But how great for there to be a 2nd set …
MMW c.2000
– SET II –
With a full stage of musicians, the set begins in some open exploration of HUGE LAYERED sound – everyone is looking for their pocket and gradually the sound breaks down a bit, thins out, as various musical conversations erupt across the stage, interjections interrupting ideas while others flow a little more smoothly. All the while, those on stage are working together towards something meaningful. This is beautiful to hear even if it is ugly and harsh to start. As we approach the 5min mark of the opening Improvisation a groove has settled and Garzone and Ribot have been zapping each other with Medeski playing along. This develops into a solid groove and track #2’s Improv is really like a natural outgrowth of the first Improv’s development – but also sounds DAMN familiar! Like a crossbreed of Note Bleu (played later in the set) & Smoke (debuts over a year later). Whatever it is, it once again has fantastic interplay between the three lead voices (Medeski, Garzone, & Ribot) while the rhythm section (Martin, Wood, & Cinelu) lays the bed for the play – and of course, nobody adheres strictly to these roles, but that’s a general breakdown. This slides nicely into Start/Stop which fits this group so well, moving through a cool Percussion/Logic breakdown into Dracula – which has this odd percussive “boom-boom” at the end of the usual bassline melody run, presumably initiated by Cinelu, and it adds a cool twist to Dracula’s usual sly groove, making it bumpier. A Percussion/Logic Improv gains some momentum for a couple of minutes before launching into the Sugar Craft groove, where the solo hat gets passed around to wonderful effect. The Sugar groove just keeps pushing out there landing in Hey Joe – now, it sounds to me like the guests have left the stage or are silent for this tune, but then you can hear them in the final outro chord crescendo which oddly just leads to silence. After a quick break Note Bleu kicks in – reminding us of that earlier improvisation – and the guests are throwing in full on this tune, extending it nicely to lead into the EVER welcome Africa. Africa once again allows the ensemble to breathe together and show off a bit for each other before driving us home with the Bubblehouse groove – complete madness with these 6 players on stage.
Moti Mo, with all these cats, is so full and rich – and when Garzone belts in with the melody on his tenor sax it all just feels so right … what a wonderful celebration Moti Mo is for ending an evening. I often think of it as a quieter number, but the build that rises over the performance, as the solo hat is passed around and group interplay weaves those moments, it really brings the energy way up – yeah, a celebration!
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** Friday, June 29, 2001 ** >>> 2001-06-29
And so begins our run through MMW’s history at the Festival Int’l de Jazz de Montréal.
As always, BIG THANKS to the tapers, and a special shout-out to Blane Harvey for all his work in getting Canadian shows taped and/or shared – as a fellow Canuck, I’m forever grateful, and I’m sure the other MMW Shackers are too! Not sure if you’re still out there, Blane, but next time MMW hit Montreal we gotta have a beer together!
More Montreal MMW Madness coming over the next few Friday Afternoons In The Universe …
enjoy the grooves,
dug
2001-06-29
MMW 2001-06-24 @Toronto Jazz Festival, Toronto, Ontario, Canada
Source info:
2001-06-29.mbho603-200.5589.t-flac16
– ONE SET (tracks 1-16) –
– SHACK THOUGHTS — The Shack Project celebrates MMW @25 years!
FRIDAY AFTERNOON IN THE UNIVERSE (FAITU#24)
It’s been a busy couple of weeks, being on the road out of town for the Fridays, so I’m making it up a bit this week, sharing shows #24 & #25 for FAITU’s 25th week, the theme of which will extend over several weeks throughout the summer.
Festival Int’l de Jazz de Montréal.
MMW in Montreal, for this Canadian fan was a sweet deal. Unfortunately, I was unable to make it the first few times, but did catch a couple of the Montreal “events”. Each time MMW played Montreal it was a little special, at least to my ears. Always more than you might find from the trio at other festivals – not to say other festivals haven’t featured some killer MMW, which often depends on time slots, but Montreal seemed to always offer a good slot which afforded the band the chance to really put on an “MMW show”, rather than a more typical festival set.
This week we’ll dig into the first Montreal Fest gig from 2000, and the following year’s return in 2001.
** Wednesday, July 05, 2000 ** >>> 2000-07-05
** Friday, June 29, 2001 **
Medeski Martin & Wood w/ John Scofield & DJ Logic
– ONE SET –
Exploring some open space that’s really just a loose intro to Bone Digger – once again letting the Montreal crowd know that the trio is not just laying down your typically groovy funked-out festival set – they are here to find new sounds with this festival audience, and that’s what they do. MMW keep Digging the Bones – man this tune is wacked! – and this dying groove slides into the more upbeat Big Time and lets the band welcome the crowd with a bit more friendly sounds, and begins a run of some more groovier numbers that should get the crowd dancing.
MMW 2001-06-24 @Toronto Jazz Festival, Toronto, Ontario, Canada
Big Time, always a nice big groove itself, moves into its outro as some Coconut Boogaloo emerges, coloured by some nice Medeski piano work, sprinkled with a small illyB solo, some raunchy bass fuzz from Wood, and joined by Logic near the end of the tune before we head into the PHAT groove of Jelly Belly – it’s THICK! Some wonderful back and forth between Medeski and Logic on this tune before it busts into a Drum Solo … and interestingly, since he’s onstage, but Logic doesn’t join in with illyB … a few years previous, when Logic was a on tour more often with the trio he and Billy would regularly jam off one another when John and Chris dropped out.
The sweet bassline of ITAHTLMJ pops up next, some wonderful screeching from John’s keys on the main theme, Logic jumping into the fray, while Billy propels us along. A solid take on the tune with Logic bits for intrigue, but then the tune drifts into some short open space exploration that leads us into the crazy Felic groove – it’s a weird tune and I love it for that reason; not easy listening.
More wacky Open Improvisation follows Felic, and Scofield finally joins the fray in the aftermath, tinkering as his sound cuts right into the Open Space – he’s unmistakable, much to the chagrin of some, and to the joy of the rest of us. The overall sound thins out as Medeski, Sco and Logic trade some “licks”, illyB gets his talking drum in there, Chris plunks a little, and it all drops into The Dropper. For you Sco haters out there, just check out the imagination on this tune as he creates his own part throughout the song – this is NOT a tune Sco guests on, usually, but this is the 2nd – and last – time within a week, so he’s not oblivious to the song, but still! Very interesting to hear Sco’s input on The Dropper, vs. Ribot’s (plays on the album version and a couple of live performances).
MMW c.2001
Next up, another MMW live staple, Partido Alto has Logic and Scofield adding new textures, before we get to some Scofield tunes from the A Go Go album he made with MMW a few years prior. The title track, nice slinky groove, and Hottentot, a rocking groove, follow next with Sco taking charge a bit for those tunes. (An aside: I caught Sco at the Montreal Fest in ’98 after the release of A Go Go. He was the featured musician that year so he played like 5 nights with different ensembles, so we caught the A Go Go night with Bill Stewart, Larry Golding, and some terribly boring bass player (seriously, especially in comparison to Wood’s input on the album itself), but the overall music was incredible; then we caught Sco with the Dirty Dozen Brass Band and finally got to stand and dance at the festival – upon request from the DDBB to get our butts shakin’!)
The guests remain onstage until the end of the show, but we’re back to some MMW live show tunes again, with first Note Bleu – another chance for comparing Sco’s input to Ribot’s album take – resulting in a hefty Bass Solo intro into the Hendrix tune, Third Stone From The Sun – again, Logic fits nicely in here, as usual, and cool to hear Sco’s take on the rock number. MMW’s take on the Hendrix tune is ALWAYS a treat!
The Hendrix theme continues into the encore, and so do the guests, with a PUMPING Crosstown Traffic to close out the evening.
And so begins our run through MMW’s history at the Festival Int’l de Jazz de Montréal.
As always, BIG THANKS to the tapers, and a special shout-out to Blane Harvey for all his work in getting Canadian shows taped and/or shared – as a fellow Canuck, I’m forever grateful, and I’m sure the other MMW Shackers are too! Not sure if you’re still out there, Blane, but next time MMW hit Montreal we gotta have a beer together!
More Montreal MMW Madness coming over the next few Friday Afternoons In The Universe …
enjoy the grooves,
dug
THE SHACK STREAM
LISTEN/DOWNLOAD ANOTHER SHOW!
FAITU#22
FRIDAY AFTERNOON IN THE UNIVERSE
(FAITU#22)
2011-08-26
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MMW w/ Cyro Baptista + DJ Logic 2011-08-26 – August Residency at the Whitney Museum of American Art, NYC, NY
Source info:
2011-08-26.sl.neumann-tlm170.115868.t-flac16
– ONE SET (tracks 1-19) –
– SHACK THOUGHTS –
FRIDAY AFTERNOON IN THE UNIVERSE (FAITU#22)
The Shack Project celebrates MMW @25 years!
In August 2011 MMW played 4 Fridays as part of a residency celebrating their 20th year together – this week’s FAITU pick is the last Friday. (We have the first Friday streaming, but the 2nd Friday was never recorded and the 3rd Friday is actually lacking Medeski, and I haven’t posted that show here on TSP yet.) The guys and guests are basically set up in a circle of sorts, with the audience surrounding on all sides and from multiple levels in this area of the museum.
MMW w/ Cyro Baptista + DJ Logic 2011-08-26 – August Residency at the Whitney Museum of American Art, NYC, NY
Billy & Logic get things started, after a brief explanation from Billy that the set’s going to start with some duo Turntable Sessions with everyone taking turns playing with Logic. illyB begins a soft snare shuffle of sorts, adds a bit of fill then Logic’s sounds start creeping in – this remains fairly abstract for the most part, little in the way of what we might call “groove”.
John & Logic continue the abstract explorations, with a seamless transition of Medeski swapping in for illyB. But at about the 2min mark of the Medeski/Logic Improv we get a sweet killer groove – I’m presuming the beat is coming from Logic in here since Billy is supposed to be gone (kinda hard to tell!). Space sounds emanating from both the keys and the turntables, but the accompanying groove feels good, if not perhaps a little familiar … reminds me of something Mago-ish, but not quite … eventually this drifts into open space …
DJ Logic 2011-08-26 – August Residency at the Whitney Museum of American Art, NYC, NY
Chris & Logic begin after another seamless transition with Wood focusing on some wacky bowed action for the beginning of the interplay, with Logic responding in kind – this creates a perfect Halloween soundscape! Once Chris drops the bow though we get some great plucking work from him, with Logic once again following Wood’s lead by moving from the haunting sounds to dropping a beat. Chris moves to electric around 4min and this just plunks along real smooth-like. Chris digs deeper as the beat wears on – this is an incredible solo from him over Logic’s sounds! PHAT!
The session comes to a quick pause before Cyro Baptista jumps into the fray. Things begin like the sound of outdoor bugs, then Cyro starts whooping/chanting, Logic drops a beat, and things take on a very tribal-like feel. Logic plays with some vocal samples a bit too in reaction to Cyro’s vocals, there’s just some wild crazy sounds at times, all driven by this beat from Logic and the whoops/chants from Cyro. This peters out to silence …
Cyro Baptista 2011-08-26 – August Residency at the Whitney Museum of American Art, NYC, NY
A twinkle of keys, bassline drops in with some cymbal work along with Cyro/Logic colouring, and BOOM! Sugar Craft, a Logic sit-in staple, is off and running – oooh yeah! Cyro’s hand drum work in that space at the top is PERFECT! The 5 of them work this old MMW classic up, around and over. There’s a wonderful mid-tune percussion/DJ breakdown, and when the head of the tune returns it feels so good. It’s a short version of the tune, which leads out in a trippy way – Cyro adds so much fun to the MMW flavour!
The Sugar dissolves into a murky organ-led Improv, lasting only a minute or two but with contributions from everyone on stage, creating some more Halloween soundscapes. This works as almost a bridge or lead into the next Improvisation, where Chris kicks in a groovy bassline and everyone jumps on to ride this for a few minutes before it falls apart into an Open Improv of sorts, driven mostly by the Drums/Percussion, but lasting only momentarily before we enter …
Chris Wood 2011-08-26 – August Residency at the Whitney Museum of American Art, NYC, NY
The Church Of Logic – oh, I REALLY dig this groove! This version sounds like a bit of a spazzed-out take, choppy, anxious and jittery. The ’98-’99 takes on this tune were considerably smoother … but this is a VERY rare tune for the band to pull out and a treat to hear. Their treatment of many older tunes during 2011 sounded a little odd, unfamiliar to the band, making for fresh or odd takes on some of these older tunes. So this is a bit of a frantic prayer session in the Church of Logic before we head into another hyper-version of an older tune, but with a twist …
Hey-Hee-Hi-Ho Improv pushes out away from the tune proper, just using it to frame the improvisation that drives and pulses forward into another Improvisation that almost uses what sounds like the Down The Tubes bassline from the MSMW Out Louder release, but not quite. Nevertheless, that bass gets this next section really moving before it mellows down a bit after a couple of minutes into something from a reggae dream … drifting off …
Billy Martin 2011-08-26 – August Residency at the Whitney Museum of American Art, NYC, NY
The organ Back & Forth begins, and this tune is like a circus event jammed into a few musical minutes – the song sounds carnival-esque. Billy jumps in on snare and a bass drum pulse under John’s organ; Cyro starts some wacky chanting with Logic adding some sounds; then Chris kicks in with that KILLER bassline for this tune, soloing over this mess of sound … a brief lull of sorts, Chris jams back in on top of it all – this is nasty! – and then another lull before the tune proper finally kicks in. I love this track, which showed up in ’06 and hung around for a bit until the Radiolarian tunes obliterated its set presence, but 2011 saw the band basically abandoning Radiolarians as they played mostly requests and improvisations throughout the year, which in turn coloured song selection at shows not following those “rules” they had on the spring and fall tours. There’s a pause when the tune finishes, and Billy talks about how they donated the tune to Patagonia to raise money for the environment. Not sure if you can still order the album or the track, but here’s a link with more info.
No Ke Ano Ahiahi is up next, and is nice and soothing after some of the hard groove and chaos we’ve heard thus far – this tune is ALWAYS welcome in a set, at least to my ears, and generally has excellent placement no matter where it’s found. It always feels right.
John Medeski 2011-08-26 – August Residency at the Whitney Museum of American Art, NYC, NY
Partido Alto starts hopping, VERY playful opening – this tune is PERFECT for the 5 guys on stage to mess around with. Lots of space and they all are so familiar with the tune. Good, good fun.
Another small break and then, at the request of DJ Logic, they send us out with the groove to end all grooves: BUBBLEHOUSE! ‘Nuff said … a pleasantly groovy Friday Afternoon In The Universe at the Whitney Museum …
enjoy the grooves,
dug
THE SHACK STREAM
LISTEN/DOWNLOAD ANOTHER SHOW!
The Shack Project 