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FAITU#52+#53+#54+#55+#56

FRIDAY AFTERNOON IN THE UNIVERSE
(FAITU#52 & #53 & #54 & #55 & #56)
2001-04-20
2002-04-20
2004-04-20
2005-04-20
2013-04-20

MMW Listen to playlist
  • 2001-04-20
    MEDESKI MARTIN & WOOD

    Warfield Theatre, San Francisco, CA
    Friday, April 20, 2001


    One Set: The Dropper > We Are Rolling > Shack, Bone Digger > Improv > Night Marchers > Is There Anybody Here That Love My Jesus > Africa > Bass Solo > Shacklyn Knights, Note Bleu, Big Time > Improv Intro > Jelly Belly > Drum Solo, Partido Alto

    Encore: Acoustic Intro > Chubb Sub > Hey Joe

    One Set Only
    Karl Denson’s Tiny Universe opened for MMW

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READ dug's SHACK THOUGHTS
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MMW Shack Selections
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  • 2002-04-20
    MEDESKI MARTIN & WOOD

    w/ the Uninvisible Horns of San Francisco

    Warfield Theatre, San Francisco, CA
    Saturday, April 20, 2002


    Set 1: Improv Intro > Ten Dollar High > Take Me Nowhere > Lifeblood* > Bass Solo, Creole Love Call (w/ Snake Anthony bass line)# > Felic# > Drum Solo > Fire > Smoke

    Set 2: Pappy Check, The Saint#, Open Improv# > Uninvisible#, Nocturnal Transmission# > Open Improv# > Where’s Sly?# > Blue Pepper#, Moti Mo#

    Encore: I Wanna Ride You#

    Most of the show with Dan the Automator – turntables
    * w/ extended outro
    # w/ the Uninvisible Horns of San Francisco:
    Steven Bernstein – trumpet, slide trumpet, director
    Ralph Carney – bari sax, flute, homemade thing
    Paul Hanson – bassoon + effects
    Kenny Brooks – tenor sax, oboe

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READ dug's SHACK THOUGHTS
Read MMW txt file
MMW Shack Selections
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  • 2004-04-20
    MEDESKI MARTIN & WOOD

    Café du Nord, San Francisco, CA
    Tuesday, April 20, 2004


    Set 1: Improv > Improv > Improv > Improv > Improv > Open Improv > Improv > Drum Solo > Drums’n’Bass > Improv > Open Improv > Improv

    Set 2: Improv > Improv > Improv > Improv > Improv > Improv > Drum Solo > Open Improv > Improv > Improv > Bass Solo > Improv > Improv > Improv

    Encore: Whiney Bitches

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READ dug's SHACK THOUGHTS
Read MMW txt file
MMW Shack Selections
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  • 2005-04-20
    MEDESKI MARTIN & WOOD

    Liberty Hall, Lawrence, KS
    Wednesday, April 20, 2005


    Set 1: Open Improv > Improv > Open Improv > Improv, Bass Solo > Bass’n’Drums > Hegaz, Curtis > Is There Anybody Here That Love My Jesus

    Set 2: End Of The World Party > Reflector (w/ Drum Solo) > New Planet > The Lover > Bass Improv Outro > Sasa > Everyday People > Queen Bee > Whiney Bitches

    Encore: Who The Fuck?

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READ dug's SHACK THOUGHTS
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MMW Shack Selections
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  • 2013-04-20
    MEDESKI MARTIN & WOOD

    Mondavi Center for the Arts, Davis, CA
    Saturday, April 20, 2013


    Set 1: Open Improv > Improv > Improv > Improv > “Mondavi Piano” > Improv > Drum Solo

    Set 2: Shacklyn Knights > Bass Solo, Last Chance to Dance Trance (Perhaps), Just Like I Pictured It, No Ke Ano Ahiahi, Heaven On Earth

    with Joshua Light Show

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READ dug's SHACK THOUGHTS
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2001-04-20

MMW c.2001

MMW c.2001

Source info:
2001-04-20.neumann-u89.117619.t-flac16

– ONE SET (tracks 1-23) –

– SHACK THOUGHTS –
Another opening slot with The Dropper, but this time the band basically jumps right into the tune and WE ARE ROLLING! Cool little Shack out of there and we move into *yet another* kick ass single spring set show! Super fun Acoustic Intro > Chubb Sub too …

enjoy the grooves,
dug


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2002-04-20

MMW c.2002

MMW c.2002

Source info:
2002-04-20.schoeps641.9521.t-flac16

– SET I (tracks 1-7) –
– SET II (tracks 8-15) –

– SHACK THOUGHTS –
Speak of the devil! Take Me Nowhere pops up here … Lifeblood, again cool with an extended outro of sorts … Creole > Felic might be the highlight of the show for me … well, the Moti Mo to close is in competition but not quite … Nocturnal Transmission is a wicked tune! And the move into Where’s Sly? is wacked! HA!

Can’t speak to Dan the Automator additions to the show too much … I’m just not a DJ guy … I simply can’t recall one way or the other at the moment …

enjoy the grooves,
dug


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2004-04-20

Wood & Martin 2004-05-28 @Harmony Park Music Garden, Geneva, MN

Source info:
2004-04-20.fob.dpa4023.23966.t-flac16

– SET I (tracks 1-11) –
– SET II (tracks 12-27) –

– SHACK THOUGHTS –
Standing out as one of the most incredible run of shows MMW has ever played, these April 2004 gigs of 100% improvisation exhibit the band at the height of their SHACK skills, pulling endless melodies and grooves out of thin air, along with the usual visits to more out-there/open space.

Each night encores with a tune intended for release on End Of the World Party (Just In Case) later in 2004 — Whiney Bitches never made it to the US release, but I think was on the Japanese release, and was later found on the Note Bleu-Best of the Blue Note Years 1998-2005 compilation disc.

All that to say: Dig into these gigs of pure musical exploration … you won’t be disappointed.

enjoy the grooves,
dug


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2005-04-20

MMW @The Staircase, Scranton, PA 2005-05-13

MMW @The Staircase, Scranton, PA 2005-05-13

Source info:
2005-04-20.akg463.29083.t-flac16

– SET I (tracks 1-5) –
– SET II (tracks 6-13) –

– SHACK THOUGHTS –
The show opens in fine form with lots of exploration solidifying in a tweaked-out groove — Medeski’s keys are wild! We move through 2 incredible improvisations in the first 30min — you have to listen to these guys constructing these pieces on the fly, it’s unreal, boiling down to Chris letting loose on a Bass Solo before illyB joins back in and the two groove out and play around for a few minutes before landing into Hegaz — this is an incredible tune the guys played throughout April ’05 thanks to Brahim Fribgane bringing over this Club D’Elf tune during his sit-in @Tonic in NYC the previous March. Thought it might be the Zorn tune Ziphim for a while, but it’s a D’Elf tune, I believe written by Brahim. John sticks on piano throughout for this one which is real nice — each version of this tune is worth checking out for what the band does over the course of its brief inclusion in the live repertoire. Curtis is a hard groove resolving to the soothing wackiness of ITAHTLMJ to close the set, a tune benefiting nicely from Medeski’s ’05 key sounds.

2nd set gets going with a solid (as always) EOTWP (love that bowed bass!), with a HUGE Reflector close on its heels containing a Drum Solo which is fairly common for the tune but not a given, so I like to note it, and this jams into the nice combo of New Planet > The Lover, leading to a Bass Improv Outro that takes us to the slink of Sasa. The quietness of Everyday People follows (ya know, I honestly hardly recognize this cover!), and Queen Bee (a common closer) rocks us out to end with the cries of Whiney Bitches — what a pairing to wrap-up the set! Every version of Whiney Bitches is worth hearing as well …

Who The Fuck? is a short but VERY sweet encore — FRICKIN’ LOVE THIS PJ Harvey tune! Never listened to the original because I’m afraid how much it might ruin my love for MMW’s version … it rocks SO HARD!

enjoy the grooves,
dug


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2013-04-20

Wood @Mondavi Center, Jackson Hall, Davis, CA 2013-04-20

Wood @Mondavi Center, Jackson Hall, Davis, CA 2013-04-20

Source info:
2013-04-20.neumann-km140.124444.t-flac16

– SET I (tracks 1-6) –
– SET II (tracks 7-12) –

– SHACK THOUGHTS –
An electric gig drops on 4/20 in the midst of an acoustic run …

– SET I –
Some mildly piercing tweaks of feedback-like noise begin our journey through this 4/20 excursion, I believe the sounds are coming from Chris bowing below his bridge on the stand-up — it makes that kinda uncomfortable sounds. John is filling in some atmospheric sounds while Billy tinkers with some percussive injections. This open space is sifted and mined for groove until just after 5min or so the band allows the groove to emerge — Chris has already been building up the bassline, but @5:20 of track #2 John hits a mild riff and things evolve smoothly from there … this feels nice and welcoming even with its haunted edge. The last couple of minutes of the track sees the band developing what sounds like the beginning of an entirely new piece but it only lasts a couple of minutes … could really just be the outro from the previous improvisation, but I’ve noted it separately and it actually chills down to a very brief skittering from illyB on the kit before we reach silence.

Martin @Mondavi Center, Jackson Hall, Davis, CA 2013-04-20

The next track picks up the energy a bit with an illyBeat kicking hard before John chimes in with a nice and funky Clav riff followed by some nasty slide work from Chris on his electric — and we’re suddenly in a much funkier territory that’s almost feels scary to follow but also so nice. The organ comes in with a complimentary/contrasting riff to the Clavinet and this is a FUNKY TUNE, folks! Too bad we’ll never hear it again … THANK YOU TAPERS!!!

Track #4 I’ve dubbed “Mondavi Piano” — it’s incredible. It’s comprised of a few sections that sound to me like they all work together as a composition — spontaneous? I dunno … but listen and you’ll love it. The intro section moves smoothly into the main piano groove of the song c.3:40 — beautiful work from John here, complimented so perfectly by Chris and Billy. Wicked good. This builds to some chaos, out of which John continues a piano riff as the track rolls over and Billy joins in on percussion …

Medeski @Mondavi Center, Jackson Hall, Davis, CA 2013-04-20

Medeski drops out and illyB keeps playing his mettalic percussives for a spell, and then John slowly joins in with a murky little riff on (what I think is) the Wurlitzer — oh yeah, and Chris starts to compliment John as Billy switches to the kit and things start movin’ and groovin’. This is great and leads us to a Drum Solo closing the set — I recall an old interview where Billy noted the first time they ever did that, close a set with a Drum Solo, and how different it felt and how cool it was … not sure, think around ’03 … anyway, set break!

– SET II –
The 2nd set gets back to tunes, with a great selection, cool to hear, especially since in 2013 we weren’t hearing much else from the band other than the surrounding acoustic gigs that were the thrust of this spring ’13 tour. I think you had to hit some European festivals to catch MMW electric that year — HA! — so, lucky for our friends across the Atlantic. Anyway, great selection of tunes that are all at the top of their game, with a nice loose yet in control and confident feel.

Wood & Martin @Mondavi Center, Jackson Hall, Davis, CA 2013-04-20

Shacklyn Knights is a good slinky way to begin the set, followed by a Bass Solo, while LCTDT(P) is a particular highlight — stellar piano from John. JLIPI takes me back to my first live experience with MMW in ’98, and I’m a sucker for always hearing No Ke Ano Ahiahi for similar reasons — it’s a tune my wife and I both love as well. Heaven on Earth is a tune we could hear more from the band … if/when they play again more …

enjoy the grooves,
dug


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MMW Shack Selections

THE SHACK STREAM
LISTEN/DOWNLOAD ANOTHER SHOW!


MMW Halloween History

– KNOWN/CIRCULATING RECORDINGS FROM HALLOWEEN (2000-2008) –
Trouble playing/downloading tunes?

~ HALLOWEEN Shows ~
~ FLAC & MP3 filesets ~
~ Download and/or Stream ~
2000-10-31.schoeps-m222-mk41.96277.t-flac16
[TSP-Halloween #1]
Beacon Theater, New York, NY
Tuesday, October 31, 2000

# with Whirligig Percussion Ensemble (Paula Potocki, Arno Buzack & Gregg Burrows with Billy Martin & Cyro Baptista)
* with Robert Randolph on pedal steel
with Marc Ribot + Cyro Baptista on entire second set + encore
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2001-10-31.fob.schoeps-cmc64.6158.t-flac16
[TSP-Halloween #2]
The Beacon Theatre, New York, NY
Wednesday, October 31, 2001

w/ Marc Ribot
w/ Kid Koala and DJ P-Love
# w/ Whirligig Percussion ensemble
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MMW - Halloween 2000

MMW – Halloween 2000

2002-10-31.fob.neumann-tlm170.13067.t-flac16
[TSP-Halloween #3]
Hammerstein Ballroom, New York, NY
Thursday, October 31, 2002

# “Stridulations” are a series of independent percussion compositions written by illy B (aka Billy Martin), of which two were performed on this date, one leading right into the other. The five performers were: MMW, Steven Bernstein, and percussionist Carl Nilsen.
* w/ DJ Spooky
+ w/ Mauro Refosco
^ w/ Smokey Hormel
% w/ Uninvisible Horns of NYC:
Steven Bernstein – trumpet, slide trumpet, director
Briggan Krauss – alto sax
Howard Johnson – tuba
Curtis Hasselbring – trombone
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2002-10-31.mbho603.13050.t-flac16
[TSP-Halloween #4]
Hammerstein Ballroom, New York, NY
Thursday, October 31, 2002

# “Stridulations” are a series of independent percussion compositions written by illy B (aka Billy Martin), of which two were performed on this date, one leading right into the other. The five performers were: MMW, Steven Bernstein, and percussionist Carl Nilsen.
* w/ DJ Spooky
+ w/ Mauro Refosco
^ w/ Smokey Hormel
% w/ Uninvisible Horns of NYC:
Steven Bernstein – trumpet, slide trumpet, director
Briggan Krauss – alto sax
Howard Johnson – tuba
Curtis Hasselbring – trombone
Download MMW gig
Download MMW gig
Read MMW txt file
2002-10-31.mg210.112715.t-flac16
[TSP-Halloween #5]
Hammerstein Ballroom, New York, NY
Thursday, October 31, 2002

# “Stridulations” are a series of independent percussion compositions written by illy B (aka Billy Martin), of which two were performed on this date, one leading right into the other. The five performers were: MMW, Steven Bernstein, and percussionist Carl Nilsen.
* w/ DJ Spooky
+ w/ Mauro Refosco
^ w/ Smokey Hormel
% w/ Uninvisible Horns of NYC:
Steven Bernstein – trumpet, slide trumpet, director
Briggan Krauss – alto sax
Howard Johnson – tuba
Curtis Hasselbring – trombone
Download MMW gig
Download MMW gig
Read MMW txt file
2003-10-31.akg393.retracked.122619.t-flac16
[TSP-Halloween #6]
Beacon Theater, New York, NY
Friday, October 31, 2003

One Set
Most of show w/ DJ Le Spam
* w/ Marc Ribot
+ w/ Spam Allstars horn section:
–Mercedes Abal on flute
–AJ Hill on Alto Sax
–John Speck on trombone
–Steve Welsh on Baritone Sax
Download MMW gig
Download MMW gig
Read MMW txt file
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2003-10-31.mg200.112716.t-flac16
[TSP-Halloween #7]
Beacon Theater, New York, NY
Friday, October 31, 2003

One Set
Most of show w/ DJ Le Spam
* w/ Marc Ribot
+ w/ Spam Allstars horn section:
–Mercedes Abal on flute
–AJ Hill on Alto Sax
–John Speck on trombone
–Steve Welsh on Baritone Sax
Download MMW gig
Download MMW gig
Read MMW txt file
MMW w/ Ribot - Halloween 2001

MMW w/ Ribot – Halloween 2001

2004-10-31.cad-equitek-e200(d1+d2)+mg200(d3).27302.t-flac
[TSP-Halloween #8]
Hammerstein Ballroom, New York, NY
Sunday, October 31, 2004

One Set
# with Antibalas Horn Section
* cover of a song by Ethiopian keyboardist/composer Mulatu Astatqe, from the album “Liberty” (1974)
^ with Cyro Baptista (exact performance tunes unconfirmed, but sounds like these are the tracks)
Download MMW gig
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Read MMW txt file
2004-10-31.mg200.112717.t-flac16
[TSP-Halloween #9]
Hammerstein Ballroom, New York, NY
Sunday, October 31, 2004

One Set
# with Antibalas Horn Section
* cover of a song by Ethiopian keyboardist/composer Mulatu Astatqe, from the album “Liberty” (1974)
^ with Cyro Baptista (exact performance tunes unconfirmed, but sounds like these are the tracks)
Download MMW gig
Download MMW gig
Read MMW txt file
Stream MMW gig
2005-10-31.audix-1290-hc.31643.t-flac16
[TSP-Halloween #10]
Hammerstein Ballroom, New York, NY
Monday, October 31, 2005

One Set
Entire show w/ Cyro Baptista
+ w/ SLAM (50+ piece band fronted by Kenny Wolleson & Jonathon Haffner)
Download MMW gig
Download MMW gig
Read MMW txt file
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MMW - Halloween 2004

MMW – Halloween 2004

2006-10-31.akg393.80135.t-flac16
[TSP-Halloween #11]
Hammerstein Ballroom, New York, NY
Tuesday, October 31, 2006

One Set
# with Flora Purim (vocals)
* with Sharon Jones (vocals)
with Dave Tronzo (guitar) & Airto Moreira (percussion) for the entire show
Download MMW gig
Download MMW gig
Read MMW txt file
Stream MMW gig
2006-10-31.audix1290.79797.t-flac16
[TSP-Halloween #12]
Hammerstein Ballroom, New York, NY
Tuesday, October 31, 2006

One Set
# with Flora Purim (vocals)
* with Sharon Jones (vocals)
with Dave Tronzo (guitar) & Airto Moreira (percussion) for the entire show
Download MMW gig
Download MMW gig
Read MMW txt file
2006-10-31.schoeps-mk41.79897.t-flac16
[TSP-Halloween #13]
Hammerstein Ballroom, New York, NY
Tuesday, October 31, 2006

One Set
# with Flora Purim (vocals)
* with Sharon Jones (vocals)
with Dave Tronzo (guitar) & Airto Moreira (percussion) for the entire show
Download MMW gig
Download MMW gig
Read MMW txt file
2008-10-31.senn-k6.95827.t-flac
[TSP-Halloween #14]
Yebisu The Garden Hall, Tokyo, Japan
Friday, October 31, 2008

One Set
# with Cyro Baptista
* with Jamie Cullum
+ WISM? Super Session with Shacho/Motoharu/tabu zombie/Midorin of Soil & “Pimp” Sessions
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MMW Shack Selections

THE SHACK STREAM
LISTEN/DOWNLOAD ANOTHER SHOW!


FAITU#24+#25

FRIDAY AFTERNOON IN THE UNIVERSE
(FAITU#24 & #25)
2000-07-05
2001-06-29

MMW Listen to playlist
  • MEDESKI MARTIN & WOOD
    w/ Marc Ribot, George Garzone, Mino Cinelu & DJ Logic

    Festival Int’l de Jazz de Montréal, Métropolis, Montréal, QC
    Wednesday, July 05, 2000


    Set 1: We Are Rolling > Brigas Nunca Mais, Macha > Is There Anybody Here That Love My Jesus > Latin Shuffle > Bass Solo > Open Improv > Swamp Road

    Set 2: Improv > Improv > Start/Stop > Dracula, Percussion/Logic Improv > Sugar Craft > Hey Joe, Note Bleu > Africa > Bubblehouse

    Encore: Moti Mo

    Set II + Encore with Marc Ribot (guitar), George Garzone (sax), Mino Cinelu (percussion) & DJ Logic (turntables)

Download MMW gig FLAC
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READ dug's SHACK THOUGHTS
Read MMW txt file
MMW Shack Selections
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  • MEDESKI MARTIN & WOOD
    w/ DJ Logic & John Scofield

    Festival Int’l de Jazz de Montréal, Métropolis, Montréal, QC
    Friday, June 29, 2001


    One Set: Open Improv/Intro > Bone Digger > Big Time > Coconut Boogaloo# > Jelly Belly# > Drum Solo, Is There Anybody Here That Love My Jesus# > Outro Improv# > Felic# > Open Improv > The Dropper#*, Partido Alto#*, A Go Go#*, Hottentot#* > Guitar Outro, Note Bleu#* > Bass Solo > Third Stone From The Sun#*

    Encore: Crosstown Traffic#*

    One Set Only

    # with DJ Logic
    * with John Scofield

Download MMW gig FLAC
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READ dug's SHACK THOUGHTS
Read MMW txt file
MMW Shack Selections
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~ 2000-07-05 ~

MMW c.2002/03

MMW c.2002/03

Source info:
2000-07-05.sony-lapel.5588.t-flac16

– SET 1 (tracks 1-9) –
– SET 2 (tracks 10-20) –

– SHACK THOUGHTS — The Shack Project celebrates MMW @25 years!
FRIDAY AFTERNOON IN THE UNIVERSE (FAITU#24)

It’s been a busy couple of weeks, being on the road out of town for the Fridays, so I’m making it up a bit this week, sharing shows #24 & #25 for FAITU’s 25th week, the theme of which will extend over several weeks throughout the summer.

Festival Int’l de Jazz de Montréal.

MMW in Montreal, for this Canadian fan was a sweet deal. Unfortunately, I was unable to make it the first few times, but did catch a couple of the Montreal “events”. Each time MMW played Montreal it was a little special, at least to my ears. Always more than you might find from the trio at other festivals – not to say other festivals haven’t featured some killer MMW, which often depends on time slots, but Montreal seemed to always offer a good slot which afforded the band the chance to really put on an “MMW show”, rather than a more typical festival set.

This week we’ll dig into the first Montreal Fest gig from 2000, and the following year’s return in 2001.

MMW c.2002/03

MMW c.2002/03

** Wednesday, July 05, 2000 **
Medeski Martin & Wood w/ Marc Ribot, George Garzone, Mino Cinelu & DJ Logic
– SET I –

We Are Rolling has to be one of the BEST opening tunes. Ever. Killer version that stretches out there a bit into that wacked reggae mid-section before wrapping around and drifting into the Latin love of Brigas Nunca Mais. Macha starts a run that leads the trio through to the end of the set, first finding comfort in twisting out ITAHTLMJ before the Latin beat pushes forth again with Latin Shuffle, featuring solos from illyB and Chris before an Open Improv leads to the set closer Swamp Road, which is a super groovy way to close the set, surprisingly played without Logic on stage, who comes out next set. Love when MMW give you a full trio set before settling in with some guests for an evening, and this hour of music – before the 2hr 2nd set – is more than satisfying on its own. But how great for there to be a 2nd set …

MMW c.2000

MMW c.2000

– SET II –

With a full stage of musicians, the set begins in some open exploration of HUGE LAYERED sound – everyone is looking for their pocket and gradually the sound breaks down a bit, thins out, as various musical conversations erupt across the stage, interjections interrupting ideas while others flow a little more smoothly. All the while, those on stage are working together towards something meaningful. This is beautiful to hear even if it is ugly and harsh to start. As we approach the 5min mark of the opening Improvisation a groove has settled and Garzone and Ribot have been zapping each other with Medeski playing along. This develops into a solid groove and track #2’s Improv is really like a natural outgrowth of the first Improv’s development – but also sounds DAMN familiar! Like a crossbreed of Note Bleu (played later in the set) & Smoke (debuts over a year later). Whatever it is, it once again has fantastic interplay between the three lead voices (Medeski, Garzone, & Ribot) while the rhythm section (Martin, Wood, & Cinelu) lays the bed for the play – and of course, nobody adheres strictly to these roles, but that’s a general breakdown. This slides nicely into Start/Stop which fits this group so well, moving through a cool Percussion/Logic breakdown into Dracula – which has this odd percussive “boom-boom” at the end of the usual bassline melody run, presumably initiated by Cinelu, and it adds a cool twist to Dracula’s usual sly groove, making it bumpier. A Percussion/Logic Improv gains some momentum for a couple of minutes before launching into the Sugar Craft groove, where the solo hat gets passed around to wonderful effect. The Sugar groove just keeps pushing out there landing in Hey Joe – now, it sounds to me like the guests have left the stage or are silent for this tune, but then you can hear them in the final outro chord crescendo which oddly just leads to silence. After a quick break Note Bleu kicks in – reminding us of that earlier improvisation – and the guests are throwing in full on this tune, extending it nicely to lead into the EVER welcome Africa. Africa once again allows the ensemble to breathe together and show off a bit for each other before driving us home with the Bubblehouse groove – complete madness with these 6 players on stage.

Moti Mo, with all these cats, is so full and rich – and when Garzone belts in with the melody on his tenor sax it all just feels so right … what a wonderful celebration Moti Mo is for ending an evening. I often think of it as a quieter number, but the build that rises over the performance, as the solo hat is passed around and group interplay weaves those moments, it really brings the energy way up – yeah, a celebration!

=================================

** Friday, June 29, 2001 ** >>> 2001-06-29

And so begins our run through MMW’s history at the Festival Int’l de Jazz de Montréal.

As always, BIG THANKS to the tapers, and a special shout-out to Blane Harvey for all his work in getting Canadian shows taped and/or shared – as a fellow Canuck, I’m forever grateful, and I’m sure the other MMW Shackers are too! Not sure if you’re still out there, Blane, but next time MMW hit Montreal we gotta have a beer together!

More Montreal MMW Madness coming over the next few Friday Afternoons In The Universe

enjoy the grooves,
dug


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2001-06-29

MMW 2001-06-24 @Toronto Jazz Festival, Toronto, Ontario, Canada

MMW 2001-06-24 @Toronto Jazz Festival, Toronto, Ontario, Canada

Source info:
2001-06-29.mbho603-200.5589.t-flac16

– ONE SET (tracks 1-16) –

– SHACK THOUGHTS — The Shack Project celebrates MMW @25 years!
FRIDAY AFTERNOON IN THE UNIVERSE (FAITU#24)

It’s been a busy couple of weeks, being on the road out of town for the Fridays, so I’m making it up a bit this week, sharing shows #24 & #25 for FAITU’s 25th week, the theme of which will extend over several weeks throughout the summer.

Festival Int’l de Jazz de Montréal.

MMW in Montreal, for this Canadian fan was a sweet deal. Unfortunately, I was unable to make it the first few times, but did catch a couple of the Montreal “events”. Each time MMW played Montreal it was a little special, at least to my ears. Always more than you might find from the trio at other festivals – not to say other festivals haven’t featured some killer MMW, which often depends on time slots, but Montreal seemed to always offer a good slot which afforded the band the chance to really put on an “MMW show”, rather than a more typical festival set.

This week we’ll dig into the first Montreal Fest gig from 2000, and the following year’s return in 2001.

** Wednesday, July 05, 2000 ** >>> 2000-07-05

** Friday, June 29, 2001 **
Medeski Martin & Wood w/ John Scofield & DJ Logic
– ONE SET –

Exploring some open space that’s really just a loose intro to Bone Digger – once again letting the Montreal crowd know that the trio is not just laying down your typically groovy funked-out festival set – they are here to find new sounds with this festival audience, and that’s what they do. MMW keep Digging the Bones – man this tune is wacked! – and this dying groove slides into the more upbeat Big Time and lets the band welcome the crowd with a bit more friendly sounds, and begins a run of some more groovier numbers that should get the crowd dancing.

MMW 2001-06-24 @Toronto Jazz Festival, Toronto, Ontario, Canada

MMW 2001-06-24 @Toronto Jazz Festival, Toronto, Ontario, Canada

Big Time, always a nice big groove itself, moves into its outro as some Coconut Boogaloo emerges, coloured by some nice Medeski piano work, sprinkled with a small illyB solo, some raunchy bass fuzz from Wood, and joined by Logic near the end of the tune before we head into the PHAT groove of Jelly Belly – it’s THICK! Some wonderful back and forth between Medeski and Logic on this tune before it busts into a Drum Solo … and interestingly, since he’s onstage, but Logic doesn’t join in with illyB … a few years previous, when Logic was a on tour more often with the trio he and Billy would regularly jam off one another when John and Chris dropped out.

The sweet bassline of ITAHTLMJ pops up next, some wonderful screeching from John’s keys on the main theme, Logic jumping into the fray, while Billy propels us along. A solid take on the tune with Logic bits for intrigue, but then the tune drifts into some short open space exploration that leads us into the crazy Felic groove – it’s a weird tune and I love it for that reason; not easy listening.

More wacky Open Improvisation follows Felic, and Scofield finally joins the fray in the aftermath, tinkering as his sound cuts right into the Open Space – he’s unmistakable, much to the chagrin of some, and to the joy of the rest of us. The overall sound thins out as Medeski, Sco and Logic trade some “licks”, illyB gets his talking drum in there, Chris plunks a little, and it all drops into The Dropper. For you Sco haters out there, just check out the imagination on this tune as he creates his own part throughout the song – this is NOT a tune Sco guests on, usually, but this is the 2nd – and last – time within a week, so he’s not oblivious to the song, but still! Very interesting to hear Sco’s input on The Dropper, vs. Ribot’s (plays on the album version and a couple of live performances).

MMW c.2001

MMW c.2001

Next up, another MMW live staple, Partido Alto has Logic and Scofield adding new textures, before we get to some Scofield tunes from the A Go Go album he made with MMW a few years prior. The title track, nice slinky groove, and Hottentot, a rocking groove, follow next with Sco taking charge a bit for those tunes. (An aside: I caught Sco at the Montreal Fest in ’98 after the release of A Go Go. He was the featured musician that year so he played like 5 nights with different ensembles, so we caught the A Go Go night with Bill Stewart, Larry Golding, and some terribly boring bass player (seriously, especially in comparison to Wood’s input on the album itself), but the overall music was incredible; then we caught Sco with the Dirty Dozen Brass Band and finally got to stand and dance at the festival – upon request from the DDBB to get our butts shakin’!)

The guests remain onstage until the end of the show, but we’re back to some MMW live show tunes again, with first Note Bleu – another chance for comparing Sco’s input to Ribot’s album take – resulting in a hefty Bass Solo intro into the Hendrix tune, Third Stone From The Sun – again, Logic fits nicely in here, as usual, and cool to hear Sco’s take on the rock number. MMW’s take on the Hendrix tune is ALWAYS a treat!

The Hendrix theme continues into the encore, and so do the guests, with a PUMPING Crosstown Traffic to close out the evening.

And so begins our run through MMW’s history at the Festival Int’l de Jazz de Montréal.

As always, BIG THANKS to the tapers, and a special shout-out to Blane Harvey for all his work in getting Canadian shows taped and/or shared – as a fellow Canuck, I’m forever grateful, and I’m sure the other MMW Shackers are too! Not sure if you’re still out there, Blane, but next time MMW hit Montreal we gotta have a beer together!

More Montreal MMW Madness coming over the next few Friday Afternoons In The Universe

enjoy the grooves,
dug


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FAITU#7

FRIDAY AFTERNOON IN THE UNIVERSE
(FAITU#7)
2000-10-23

MMW Listen to playlist
  • MEDESKI MARTIN & WOOD

    Wait Chapel, Wake Forest, Winston-Salem, NC
    Monday, October 23, 2000


    Set 1: Improv > Improv > Philly Cheese Blunt > Drum Solo > We Are Rolling, Lonely Avenue > Nostalgia In Times Square > Drum Solo > Hermeto’s Daydream, Manic Depression

    Set 2: Third Stone From The Sun > Drums’n’Bass outro > Shacklyn Knights, Brigas Nuncas Mais > Partido Alto > Drum Solo > Mercy Mercy Mercy, Big Time > Jelly Belly > Drum Solo > Drums’n’Bass > Afrique, Note Bleu, Bass Solo > Chubb Sub

    Encore: Crosstown Traffic

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Billy Martin c.2000

Billy Martin c.2000

Source info:
2000-10-23.fob.b+k4022.28543.t-flac16

– SET I (tracks 1-8) –
– SET II (tracks 9-19) –


– SHACK THOUGHTS — The Shack Project celebrates MMW @25 years!
FRIDAY AFTERNOON IN THE UNIVERSE (FAITU#7)

This gig is MMW’s first trio show after their Hendrix tributes a couple of days earlier on 10/20-21 (see 2000-10-21 Stream) — and they are retaining both the vibe from the gigs and a few of the tunes, in addition to the Hendrix tunes they already had in their repertoire (Crosstown Traffic & Hey Joe).

MMW c.2000

MMW c.2000

– SET I –

The Improv to start the evening is broad in scope — it sounds like it’s trying to fill large space and after a couple of minutes an angular melody jumps in from Medeski, briefly, more sounds in and from space, more melody … settling a bit after this into more of a groove. illyB kicks in a solid beat and Chris grabs hold under Medeski’s atmosphere, and then the keys start to join the groove a bit more. John drops out for the last minute or so, and we get a Bass’n’Drums breakdown, that eventually breaks down to just the drum beat with Billy solo. Full stop.

John kicks in the gospel organ squonks, Chris and Billy sporadically join, until they all lock in to serve us a delicious Philly Cheese Blunt. This song is always playful, if not too short, and gives way to another and more developed Drum Solo, sticking on the kit, and then the driving beat kicks in, drops, kicks in, and WE ARE ROLLING! I have never had the pleasure of catching We Are Rolling live, but would love to as I just really dig that heavy vibe and the off kilter reggae jam it opens up to … this version is a complete performance where the reggae jam is contained and leads back to the tune’s head, unlike it’s often veering off into another tune or improvisation, but it’s cool to hear it close up nicely (and actually, it might not be until into 2001 or so before we start hearing We Are Rolling often performed unfinished).

Billy Martin @Berkshire Music Festival, Butternut Ski Area, Great Barrington, MA 2000-08-13

Billy Martin @Berkshire Music Festival, Butternut Ski Area, Great Barrington, MA 2000-08-13

We have a curious start down Ray Charles’ Lonely Avenue — in a good way! — that kinda colours the opening groove of the song. VERY cool mid-tune bass solo with some percussion accompaniment that also drops, and it’s just a nice quiet feel. That quiet vibe moves ever so smoothly into the opening notes of Nostalgia In Times Square, which quickly picks up the pace and we’re off dancing in the square — no sign of Angel Race (I’ll Wait For You), which is most often used with Nostalgia to create a medley. Whether or not the lack of medley is the reason, Nostalgia is cut a wee short as we drift into an illyB Drum Solo. The Solo begins with a steady beat that picks up tempo after not too long and gradually Billy starts colouring the beat with fills and we’re suddenly morphing into something other, and something other, and … slam! John drops the opening notes to Hermeto’s Daydream and we are in dreamland — this is a wild tune that’s never been played all that much, at least not in MMW’s recorded history, but when it is played it’s always a treat.

The set closes with our first Hendrix taste of the evening giving us Manic Depression, and it is scrumptuous. This is a tune I’d love to hear in rotation today, but it didn’t stick long beyond this fall 2000 tour (only one known 2001 performance, and that’s it, I think). It rivals 3rd Stone for my favourite Hendrix cover MMW have performed — I’d rather hear this than Crosstown Traffic any night! HA! Anyway, first trio-only version of Manic Depression is solidly transformed into an MMW tune. End set.

– SET II –

Again, fresh off the Hendrix tribute gig, Third Stone From the Sun quickly enters MMW’s repertoire and sticks hard for a while — and that’s good news for our ears! Beginning out of a noisy rumble that finally gushes forth that opening refrain, and we’re off into outer space. The band is clearly having a good time with this song. This gig on 10/23 is really the first time the guys let loose on the tune by themselves, and I think it kinda becomes the tune for Fall 2000 — I mean, they played it alot! HA! They played this tune at EVERY show we have copies of from this gig until the final gig of 2000 on 12/16! And it’s *real* fun to listen along as they get more and more comfortable with the tune … this performance opens into some cool open exploration mid-tune, coming back around to the melody, and then breaking down into a Drums’n’Bass jam that leads us into the dark territory of Shacklyn Knights. This is a murky groove that to me always sounds like I’m heading down an alley … Shacklyn is the name of the studio MMW have used in NYC, and they are its Knights.

Chris Wood @Berkshire Music Festival, Butternut Ski Area, Great Barrington, MA 2000-08-13

Chris Wood @Berkshire Music Festival, Butternut Ski Area, Great Barrington, MA 2000-08-13

Brigas Nunca Mais chimes in to relieve any tension and just help us feel good in its Latin beauty, and as its easy vibe breaks down we are met by a sister groove in Partido Alto, but the groove intensifies — that’s the deal with Partido Alto! Love how playful MMW are with this tune, and fall 2000 so LOTS of that. The beat leads us to another illyB solo, again carrying the beat out and then colouring it away from itself, which brings us some Mercy Mercy Mercy! John starts out an odd melody right off the bat, different than I’ve heard in the other few takes MMW have done of this Joe Zawinul tune, and it kind of bleeds into this take making it a little different than usual — we like that. Here’s a nice live version of the tune I found within it’s original context, performed by the Cannonball Adderly Quintet – Zawinul wrote the tune while a member of the group:

Big Time drops, and my head bops. Everytime.

The slinkyness of Jelly Belly slides in, and John is doing something in that first minute that almost makes me nauseated when I focus on it (NOT nauseous! His playing is nauseous making me nauseated). The opening is dark to my ears and I don’t know if it’s the recording affecting my listening, but the rest of this version carries that too. As the Jelly often does, we are taken into a Drum Solo, but it only lasts a couple of minutes before Chris joins back for some Drums’n’Bass improvisation — and this opens into some really interesting exploration that leads to the hauntingly beautiful Afrique. Afrique too has a dark edge, which the tune just exudes anyway, and when it wraps we get the opening soothing notes of Note Bleu. Nice to hear this breath of groove so deep in the 2nd set actually.

So, the mood is mellow and relaxed now and Chris starts in with a slow brooding Bass Solo, lasting a nice lengthy time, building, and picks up into the Chubb Sub groove just around 4min, with the other guys starting to join in and Billy playing along more than John who’s tinkering with space sounds which then prompts Chris to toy around the bass a bit — illyB holding the building groove — and things sound like they’re almost falling apart just over 6min when the groove stabilizes in a very relaxed way and we’re off and running with the Chubb, which gradually builds more into its usually full large feeling groove. And we’re out – boom.

MMW @Berkshire Music Festival, Butternut Ski Area, Great Barrington, MA 2000-08-13

MMW @Berkshire Music Festival, Butternut Ski Area, Great Barrington, MA
2000-08-13

A rocking Crosstown Traffic gives us another nod to Jimi, which we’ll hear throughout fall 2000 (more so than usual!), and that ends this killer gig.

What’s cool about this gig and the early November 2000 shows, for me, is it’s just the trio. No other guests, no guitar, etc. I love me some full on trio, and hearing them bust out the Hendrix is rockin’ to my ears.

enjoy the grooves,
dug


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TSP Download/Stream MMW w/Trey Anastasio

– KNOWN/CIRCULATING RECORDINGS WITH TREY
FROM 1995 & 2001 & 2006

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MMW Shows w/ Trey Anastasio
~ 1995 ~
October 1995 14
~ 2000 ~
December 2000 1
~ 2006 ~
July 2006 22

~ FLAC & MP3 filesets ~
~ Download and/or Streaming ~
1995-10-14.dsbd.3.t-flac16
[TSP1995#8]
Emo’s, Austin, TX
Saturday, October 14, 1995

w/Trey Anastasio
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1995-10-14.dsbd.80131.t-flac16
[TSP1995#9]
Emo’s, Austin, TX
Saturday, October 14, 1995

w/Trey Anastasio
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MMW 2000-12-01 @Palace Theatre, Albany, NY

2000-12-01.akg481.99566.t-flac16
[TSP2000#1]
Palace Theater, Albany, NY
Friday, December 1, 2000

with Oren Bloedow & Cyro Baptista for the entire show
# with Trey Anastasio on guitar
* unfinished
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2000-12-01.fob.schoeps-mk41.26149.t-flac16
[TSP2000#2]
Palace Theater, Albany, NY
Friday, December 1, 2000

with Oren Bloedow & Cyro Baptista for the entire show
# with Trey Anastasio on guitar
* unfinished
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MMW w/ Trey Anastasio 2006-07-22 @10,000 Lakes Festival

2006-07-22.fob.mbho.76552.t-flac16
[TSP2006#34]
Field Stage, 10,000 Lakes Festival, Soo Pass Rch, Detroit Lak, MN
Saturday, July 22, 2006

One Set Only
# with special guest Trey Anastasio
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2006-07-22.fob.senn-me66.76192.t-flac16
[TSP2006#35]
Field Stage, 10,000 Lakes Festival, Soo Pass Rch, Detroit Lak, MN
Saturday, July 22, 2006

One Set Only
# with special guest Trey Anastasio
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Medeski w/ Trey Anastasio 2006-07-22 @10,000 Lakes Festival


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